If you would like to know more about how you can support the work of the Cambridge Film Consortium by becoming a partner or sponsor, then contact Trish Sheil.
Telephone:
01223 579 127
E-mail: trish.s@picturehouses.co.uk
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Short Cuts & Jump Cuts are film courses for young people aged 10 to 18 led by filmmaker Ryd Cook. These courses ran during June and July 2011. Participants were trained in using cameras, interviewing skills, and editing with Final Cut Pro. They then used these skills to shoot and edit these documentary films.
Short Cuts & Jump Cuts were supported by Cambridge Sustainable City.
Poetic allegories of the Franco period; Almodóvar’s melodramas; innovative contemporary genre films. Explore Spanish cinema’s daring and experimentation in changing times.
*excludes 5 June. Tutor: Neil Archer. Course fee (includes study pack): £65; Members: £60; Conc. £50
SOLD OUT
Plan, shoot and edit a documentary or fiction film inspired by the Fitzwilliam Museum special exhibition, The Search for Immortality: Tomb Treasures of Han China, then watch it at the cinema.
*Plus 18 May, 6.00 - 8.30, and half-term mentoring.
Tutor: Ryd Cook. Course fee: £75
BOOKINGS: 0871 902 5720 / picturehouses.co.uk
Wednesday 16 MayPresented by David Cleveland, this unique show will include film of how East Anglian villages once looked, as well as the people who lived in them and how village life has changed.
The programme will include archive film of Finchingfield in 1937, Cambridgeshire and Fen villages in the 1940s, Ayot St Lawrence (with George Bernard Shaw) in 1949, Wheathampstead in 1949, Waltham Abbey in 1964, Tolleshunt D’Arcy (with Margery Allingham) in 1953, Rickinghall in 1961, the “Dying Village” of Elsing in 1964, life in the village of Ugley in 1973, and many other people and villages of the region.

Tickets: £4.60. Senior Citizens: £3.60
(includes free tea/ filter coffee with each ticket).
BOOKINGS: 0871 902 5720 / picturehouses.co.uk
Hitchcock’s British silents The Lodger and Blackmail show a genius in development, while his move to America brought great acclaim but struggles with the studio system. Manipulating human fears and desires, the great films, including Vertigo, Rear Window and Psycho, are studies of dark obsessions - but whose, Hitchcock’s or our own?
Tutors: Philip Lloyd and Sue Burge.
Course fee (includes study pack): £65; Members £60; Conc. £50.
SOLD OUT